1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.  Related Paintings of Thomas Cole :. | Departure | Mountain Sunrise | The Subsiding of the Waters of the Deluge | Die Elemente | II Penseroso |
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Francis Campbell Boileau Cadell
Scottish, 1883-1937, was a Scottish painter associated with the Scottish Colourists. Francis Cadell was born in Edinburgh and, from the age of 16, studied in Paris at the Academie Julian, where he was in contact with the French avant-garde of the day. While in France, his exposure to work by the early Fauvists, and in particular Matisse, proved to be his most lasting influence. After his return to Scotland, he was a regular exhibitor in Edinburgh and Glasgow, as well as in London. He painted landscapes, interiors, still life and figures in both oil and watercolour, but he is particularly noted for his portraits, depicting his subject with vibrant waves of colour. He enjoyed the landscape of Iona enormously, which he first visited in 1912 and features prominently in his work.
John Phillip
(April 19, 1817-1867) was a Victorian era painter best known for his portrayals of Spanish life. He was nicknamed "Spanish Phillip". Born into a poor family in Aberdeen in Scotland, Phillip's artistic talent was recognised at an early age. His education at the Royal Academy of Arts was paid for by a wealthy patron. While at the academy Phillip became a member of The Clique a group of aspirant artists organised by Richard Dadd. The Clique considered themselves to be followers of Hogarth and Wilkie. Phillip's own career was to follow that of fellow-Scot Wilkie very closely, beginning with carefully detailed paintings depicting the lives of Scottish crofters, and moving on to much more broadly painted scenes of Spanish life influenced by Murillo and Velezquez. Phillip's early works tended to depict pious Scots families, but in 1851, after he was advised to travel to southern Europe for his health he visited Spain. Thereafter he concentrated on Spanish subjects. The first of these, The Letter Writer, Seville indicated the influence of Pre-Raphaelitism, a movement he had previously opposed, along with most other members of The Clique, despite his friendship with Millais, one of its leaders. He was so influenced by his travels that he advised other artists to do the same. Some artists, such as Edwin Long, took this advice and were similarly inspired. In the late 1850s and 1860s Phillip's style became much broader and more painterly, in line with Millais's late work. Phillip's two most important paintings in these years were The Early Career of Murillo (1864) and La Gloria (1865, National Gallery of Scotland). The first depicted the young Murillo drawing his art from Spanish street-life; the second portrayed a Spanish wake for a dead child. Phillip married Richard Dadd's sister, but like her brother she became insane. Phillip died of a stroke while visiting William Powell Frith. Phillip's self-portrait, "The Evil Eye", commissioned by his close friend Patrick Allan-Fraser, is in Hospitalfield House in Arbroath along with portraits of other members of The Clique.
LORME, Anthonie de
Dutch painter (b. ca. 1610, Tournai, d. 1673, Rotterdam)